Keywords:
poem, reading, hermeneutic situation, multivocalityCopyright (c) 2012 S. Lorente Martínez
This work is licensed under a Creative Commons Attribution 4.0 International License.
Abstract
In this paper I try to show, parting from Heidegger’s thought, that the poem is the place for the event of being to occur. At first I argue that the poem is not a substance, but that it consists only of its reading or recitation. Afterwards I show the multivocal character of the poetic word in order to explain from there that the poem is always read from a particular hermeneutic situation and how the poem can have through language an effect on this situation. This would open the possibility for a change of the understanding of being.
Downloads
References
Gadamer, H.-G., “Poetizar e interpretar”, en Estética y hermenéutica, Madrid, Alianza-tecnos, 2006.
—, “Texto e interpretación”, en Verdad y Método II, Salamanca, Sígueme, 2004.
Heidegger, M., “El origen de la obra de arte“, en Caminos de bosque, Madrid, Alianza, 2003.
—, “Carta sobre el «humanismo»”, en Hitos, Madrid, Alianza, 2001,
—, Logik als die Frage nach der Wesen der Sprache, Gesamtausgabe 38, Frankfurt am Main, Klostermann, 1998.
—, Los himnos de Hölderlin “Germania“ y “El Rin“, Buenos Aires, Biblos, 2010.
—, Ser y tiempo, Madrid, Trotta, 2003.
Hölderlin, Friedrich, Hiperión, Madrid, Hiperión, 1988.
Lafont, C., “Hermeneutics”, en A companion to Heidegger, Hubert L. Dreyfus y Mark A. Wrathall (eds.), Oxford, Malden (Mass.), Melborune, Blackwell, 2005.
Rilke, Rainer María, Los apuntes de Malte Laurids Brigge, Madrid, Alianza, 1997
Segura Peraita, Carmen, Heidegger y la metafísica. Análisis críticos, Madrid, Publidisa, 2007.
Szondi, Peter, Estudios sobre Hölderlin, Madrid, Destino, 1992.
Valente, José Ángel, Obra Poética 1 Punto cero (1953-1976), Madrid, Alianza, 2001.