RE:ROSAS!, from pop tribute to interactive proposition: artistic emergencies from documentation of ephemeral originals and re-appropiation
Keywords:
Contemporary Dance, Documentation, Choreography, De Keers- maeker, Screen dance, Social dance-media, Poor Image, Re, Rosas!Abstract
This article aims to underline the artistic emergencies stemming from docu- mentation and filmic versions of the original choreographic work Rosas danst Rosas following the project´s different manifestations up to the interaction proposition RE:Rosas!, in order to show how these different materialities open up new spaces for creative dialogue and an opening unto fields of reception that go beyond the reduced circle of avant-garde contemporary dance.
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