Artículos
De mármoles mixtos coloreados. The project for the main altarpiece of the Royal Chapel of Seville (1683-1694) and its international debate
Published
November 27, 2012
Keywords:
Seville’s Royal Chapel, Marbles altarpiece, Architectural designs, Archbishop Jaime de Palafox, Bernardo Simónde Pineda, Francisco de Herrera “the younger”, Giovanni Battista Contini, Angelo Italia, Scipione Basta, Baldassare Pampilonia
How to Cite
Herrera García, F. J. (2012). De mármoles mixtos coloreados. The project for the main altarpiece of the Royal Chapel of Seville (1683-1694) and its international debate. Anuario Del Departamento De Historia Y Teoría Del Arte, 24, 49–68. https://doi.org/10.15366/anuario2012.24.004
Copyright (c) 2012 Francisco Javier Herrera García
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Abstract
Between 1683 and 1694 a colorful marble altarpiece was projected for the sevillian Royal Chapel, and was selected for, a design by the altarpiece architect Bernardo Simón de Pineda. The archbishop Jaime de Palafox was the main driver and patron, who had previously been at Palermo’s archdiocese. The best evidence of the project range, was the demand of raports and designs to Giovanni Battista Contini, in Rome, and to the architect Angelo Italia and the engineer Scipione Basta, in Palermo, who check and raport the ideas coming from Seville. The stock lack made it unobtanible.
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