No. 37 (2024): ÉPOCA Nº II. Nº 37, Año 2024
Articles

Abjection, ethics and performative parrhesia. About the film The other side (Louisiana) by Roberto Minervini

Gonzalo Ramos Barroso
Universidad Complutense de Madrid
Bio
Published December 15, 2024

Keywords:

cinema, explicit, abject, documentary, deep America, drug addiction, marginality, violence, parrhesia
How to Cite
Ramos Barroso, G. (2024). Abjection, ethics and performative parrhesia. About the film The other side (Louisiana) by Roberto Minervini. Bajo Palabra, (37), 491–506. https://doi.org/10.15366/bp2024.37.010

Abstract

Roberto Minervini’s film The other side (Louisiana) enters a cinematographic territory that navigates between the explicit documentary and the representational narrative, forming an intimate portrait of a part of the North American Deep South. In our analysis of the film, supported in large part by multiple interviews with the director and commentators of his film, certain notions emerge that we consider of great philosophical interest: the ethical conflict inherent in the use of explicit/abyect images, the importance of the type of editing carried out with them and the notion, proposed by us, of performative parrhesia, inserted in the problematic of truth or objectivity in cinema.

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