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No. 38 (2025)
Reseñas

Review of Hélène SECHEHAYE (2024): Musiques gnawa à Bruxelles. Pratiques et formes rituelles en diaspora, Librairie Philosophique J. VRIN, París, 286 páginas.

Josep Lluís Mateo Dieste
Universitat Autònoma de Barcelona
Portada del libro
Published June 24, 2025

Keywords:

Gnawa, Diaspora, Brussels, Music, Ritual
How to Cite
Mateo Dieste, J. L. (2025). Review of Hélène SECHEHAYE (2024): Musiques gnawa à Bruxelles. Pratiques et formes rituelles en diaspora, Librairie Philosophique J. VRIN, París, 286 páginas. Revista De Estudios Internacionales Mediterráneos, (38), 257–262. Retrieved from https://revistas-new.uam.es/reim/article/view/reim2025_38_16

Abstract

The book by ethnomusicologist Hélène Sechehaye deals with the recent history of the Moroccan Gnawa musical groups settled in Brussels from an innovative study on the music of the diaspora, analyzing the trajectories of the musicians and their role in the rites of the “maroxeloise” community, while showing their agency in a scenario of identity bricolage between Belgium and Morocco.

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References

CLAISSE, Pierre-Alain (2003): Les Gnawa marocains de tradition loyaliste, Paris, L'Harmattan.

KAPCHAN, Deborah (2007): Traveling spirit masters: Moroccan Gnawa trance and music in the global marketplace, Middletown, Wesleyan University Press.

PAQUES, Viviane (1991): La religion des esclaves. Recherches sur la confrérie marocaine des Gnawa, Bergamo, Moretti & Vitali.

PORTELLI, Stefano (2023): “Spirits of displacement: Gnawa rituals and gentrification in Casablanca”, Focaal, vol. 1, pp. 1-15.

POUCHELON, Jean (2014): Les Gnawa du Maroc: intercesseurs de la différence? Étude ethnomusicologique, ethnopoétique et ethnochoréologique, Tesis doctoral, Faculté de Musique de l'Université de Montréal.

SAYAD, Abdelmalek (2010): La doble ausencia. De las ilusiones del emigrado a los padecimientos del inmigrado, Barcelona, Anthropos.

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